quote: | Originally posted by djkatmaus
Stu,
With all that said, in my case, would it be wise to post my DJ sets or should I just continue burning cd's and hand them out? What do you think? Right now I don't hand out my recorded sets to just anyone. Only to those in the industry and it clearly states on the jewel case box of its intention. Plus all my cd's are watermarked.
To answer Adam's question. I wouldn't want to make my stuff downloadable just because of the things we're talking about. If it were my own original music (which BTW I am currently writing my own stuff)that's cool. But this is other peoples music just mixed together. |
I'm not going to recommend that you break the law that has to be your own decision, down to your own morals. Although handing out CDs breaks the law as well in the same way, the reach is just greater on the net.
In the UK you can actually get a special Podcast licence, which would actually cover uploading mixes to SoundCloud etc. There are different variants, so if you wanted people to be able to download them rather than just stream them, you'd have to get the licence that allows downloading.
But you're in the States... I don't know how the rules work across borders. It's also possible that those licences only license you to distribute online to others in the UK anyway, although that would be unrealistic to control.
One of the requirements of the licence is that you submit tracklists for all of your 'episodes', which means that the artists and labels can get money for your mix. I'd actually strongly urge people getting a large number of downloads of their mixes/podcast to consider that.
My personal belief is that the future of the global music scene relies on artists and labels making sure they get royalties from systems like that, rather than trying to chase pirates. The same goes for sets in clubs - technically if you give the club a tracklist, they're supposed to submit it to an organisation who will give some of their public performance licence fee to the artists & labels of each track you play. If Lily Allen got a bit of money every time one of her songs got played in a student club somewhere, maybe she'd get of her high horse.
___________________
Stu Cox | 

|